The impact of the Moray Artists Bursary

Visual art from Duncan Wilson

Following the latest funding application round for the Moray Artists Bursary 2019, we decided to speak to those who benefitted from the grants last year to find out more about the impact it had on their organisation and ambitions.

Here, we find out how Duncan Wilson, a visual artist based in Findhorn, Moray, used his funding and how it has helped shape his future plans.

I was awarded £1,500 funding from the Moray Artists Bursary in 2018, to develop a research project in partnership with Professor Jim MacPherson and the history department at the University of the Highlands and Islands (UHI).

Through researching Moray’s military past, I hoped to create a new artwork which would explore the themes of World War 1, masculinity and class. The project and artwork were inspired by a large photographic work I created in 2017, entitled ‘Distant Voices’, where I drew parallels between the young men from Inverclyde who fought in WW1 and the young men living there today.

Last year I relocated to Moray from the central belt, a move which made me want to explore this theme further. My end goal was to create a companion piece to ‘Distant Voices’ that would focus on those men from Moray who had lost their lives in World War 1 and the soldiers living in the area who are preparing to fight in conflict today.

As a visual artist I mainly work alone, however, through the Moray Artists Bursary funding I was able to undertake a truly in-depth partnership research project for the first time and explore how working with academics could lead me down new and exciting creative avenues, and consider new ideas.

Throughout the project my focus shifted from what was initially an inquiry into which ‘class’ went to war, through to exploring what it means to be brave, conscientious objectors, and what secrets lie beneath a car park in Aberdeen…

Thanks to the Moray Artists Bursary I was able to continue to work as an artist in a new part of the country, following my move from the central belt. It also gave me the opportunity to connect with the broader arts community in Moray and meet some amazing creative people.

Following my initial research work, I’m going to continue to explore the ideas and creative opportunities this project brought me, with a view to securing future funding to produce and showcase the new artwork I’m creating in my mind.

For anyone considering applying for the Moray Artists Bursary or similar funding opportunities in the future, I’d highly recommend it – not only do you receive monetary support but the encouragement and insight I received from the team at We Make Moray proved invaluable.

To keep up to date with future funding opportunities like the Moray Artists Bursary, follow We Make Moray on Facebook, Twitter and Instagram or contact Sandra Morrison on sandra@tsimoray.org.uk / 01343 205274.

The lasting impact Moray had on Ryan MacKenzie’s artistic journey

Ryan MacKenzie

We caught up with musician Ryan MacKenzie ahead of his return to Moray, where he will produce another festive production of Let it Snow in Elgin.

Little did I know when I went for my first piano lesson at the tender of age of seven, with local Buckie teacher, Margaret Mitchell, that music would become a full-time career.  Growing up in a small area, I never imagined I’d end up working all over the world with such incredible artists, but I have so much to be thankful for in my Moray upbringing.

Those early piano lessons led to me picking up the violin at school, as a second instrument. We were completely spoilt by the Moray Council’s music instruction service; I wouldn’t be where I am without the incredible performance experiences John Mustard and his team of teachers gave us over the years.

Although I worked through all my grades in both instruments, I was curious about other styles of music even from that early age, bringing everything from classical to pop and jazz to my lessons. I developed a real love for traditional music, something which Moray is renowned for, and went on to join the Strathspey Fiddlers, playing with them for a few years during secondary school. I didn’t appreciate at the time what an amazing opportunity it was to be part of that community in Moray – it gave me access to a completely different musical culture to what I had experienced in my one to one lessons, and taught me the side to being a musician that we don’t get from reading notes off a page.

I was also playing for my local church every Sunday. These were the best harmony lessons I could have had – I learnt so many fundamentals of music by getting inside those hymns and chorales every week. Everything that I do as a creative musician, be it writing an arrangement or improvising at the piano, has been influenced by this somehow.

During my high school years, I played in a function band and there was barely a Saturday night went by when I wasn’t playing at someone’s wedding or party. Performing at these social events got me playing pop music, of course never imagining that I’d end up working with the likes of Pixie Lott a few years later.

In the last couple of years before going to study at the Royal Conservatoire of Scotland, I played for local amateur company, St. Giles Theatre Group. With them, I had my first experience of theatre. After being the rehearsal pianist for a couple of their shows, they asked me to be musical director for their production of West Side Story. Drawing on this experience, I got involved with the drama department at RCS during my studies, which led to working on professional West End shows and more recently, on tour with Sir Cameron Mackintosh’s long-running production of Les Misérables.

My ethic has always been grab as many opportunities as you can. Everything that I did whilst growing up in Moray has had a huge impact on the music I make.  Even in my career today I’m always looking for new ways to push my boundaries and discover something new. You can’t stop learning – I think we should all strive to absorb as much as we can, wherever we can. The more informed we are, the more we have to say and the more unique and interesting our music becomes. I used to worry that I’d end up a “Jack of all trades, master of none”, but soon realised that everything I do feeds my individual voice as an artist, and all these strands all feed into each other. The wider you cast your net, the more you build up a unique mix of skills which give you a different view from others who do the same thing.

This approach to my own artistry was the inspiration behind recently forming Forte Productions earlier this year. After the response we’ve had to Let it Snow year after year (our fifth birthday is fast approaching, I hope you all have your tickets!), it seemed clear that Moray wanted more of it. Under the Forte Productions umbrella, I’m hoping that myself and my brilliant team can bring this variety, and make a good range of arts accessible in Moray – an area that can sometimes be neglected. In the future, we hope to run regular workshops to help up and coming musicians as well as the wider Moray community get hands on experience. I have several friends who are running similar projects in Moray, so it’s an incredibly exciting time for the area.

Moray is a brilliant place to be as a musician, with so many interesting projects on the go that people can get involved in. Take advantage of as many different opportunities as you can. My playing days as a young, fledgling musician in Moray certainly gave me a solid foundation to build upon when I went off to pursue my career.

Keep up to date with Ryan’s musical journey by following him on Facebook, Twitter or Instagram, or by visiting his website. 

Feature image captured by John Cooper.